10 Best Movie Dates Ever

This is the list of Best Move Dates Ever. We had so much fun while i was watching those movies, hope you will have too!

Dirty Dancing

No one puts Baby in the corner, but that’s exactly where you and your date should be — in the darkest corner of the theater or couch. Because there is no hotter movie for any woman who’s ever been a lonely teenager, or for any man who ever idolized Patrick Swayze (and I think there’s something wrong with any man who didn’t).
Best time to make a move: When they practice lifts in the water. — A. Calhoun

Bringing Up Baby

Are you and your date totally wrong for each other? Did you meet under the most awkward circumstances imaginable? Perfect! Bringing Up Baby is your movie. Often referred to as the quintessential screwball comedy, this Katharine Hepburn-Cary Grant vehicle tells the story of a blundering Connecticut society girl who loses a leopard (yes, a leopard) and coerces a strait-laced paleontologist into helping her find it. Everything goes hopelessly wrong, and they fall in love in spite (or because of) it all.
Best scene to make a move: After the pair falls in a river, they camp out by the side of a hill discuss their predicament while Hepburn’s character accidentally lights Grant’s socks on fire. For the first time, it becomes clear how much fun they’re actually having. — Gwynne Watkins

Casino Royale

When I went on a date to see Casino Royale, I ‘d been watching nothing but black-and-white movies on TMC for months. I am a big fan of old movies, but it takes a hardcore action film to remind you what’s great about big screens, America and conventional heterosexual relationships. During the first chase scene, I gasped audibly as Daniel Craig and the bad guy jumped around a construction site way in the air. They burst through walls! They jumped from beam to beam! They almost fell to their deaths! I had every summer-blockbuster press-0quote reaction: my pulse raced, my heart pounded, my jaw dropped. And when it was over and our hero was safe(ish) on the ground after blowing up the embassy, I felt the whole audience relax with this realization: No one in that theater was going home alone. And Daniel Craig hadn’t even gotten naked yet!
Best scene to make a move: Every time Daniel Craig takes his shirt off. — Ada Calhoun

Edward Scissorhands

Possibly too sad to be effective, but if you and your date are tender sorts, you may be drawn together by sharing the heartbreak. Edward’s vulnerability is so palpable that even the funny scenes have a clenched-throat quality. Of all Tim Burton’s broken protagonists, Edward makes the most poignant metaphor for arrested adolescence; he is half-finished, and can only injure the people he wants to get close to. When Winona Ryder asks him to hold her, he only murmurs, “I can’t…” Sniffle. Anyone with any left-over high-school romanticism will crawl straight into your arms.
Best scene to make a move: The ice-sculpture scene. — PS

Heathers

The ultimate high-school black comedy, Heathers is a must-see for anyone born post 1970, and, speaking from experience, can be watched upwards of twenty times without getting old. A sixteen-year-old Winona Ryder plays Veronica, the fourth member of a vicious clique whose other members are all named Heather (one of whom is played by Shannon Doherty). Veronica starts dating J.D., an outsider who tricks her into killing the popular kids and making it look like suicide, spawning a national suicide craze.
Best scene to make a move: Two words: strip croquet. — Sarah Harrison

The Terminator

With an economy unmatched by its bigger-budget sequels, James Cameron’s first movie (unless you count Piranha II: The Spawning) delivers a lot of tension and a surprising amount of romance. Michael Biehn is one of the most underused stars of recent decades, and his mixture of toughness, vulnerability and dedication to saving Sarah Conner’s life (”I came across time for you”) is sure to touch both genders in their no-no spots. In fact, I had a girlfriend once who watched this explosion-packed, low-budget action spectacular with much enthusiasm, then turned to me as the credits rolled with a shit-eating grin and remarked, “My favorite part was when he said he loved her.”
Best scene to make a move: You may have to save your move for the end — even the sex scene poses the threat of intervention by gun-toting Austrian robot. — PS

Star Wars

Warning: this one only works if your date watched it 500 times as a kid. Those who watch Star Wars for the first time as adults are usually bewildered; it is a movie that has been survived by more hype than it can ever live up to. But for those of us who were raised on it, Star Wars is the rare movie that has it all: it’s a science fiction-Western-adventure story about a teenager who’s called to save the universe from an evil empire with the help of a motley rebel crew.
Best scene to make a move: The triumphant celebration at the end, when Luke has blown up the Death Star and all the characters are hugging. Most of the sexual tension in this film is corrupted in retrospect by the knowledge that Luke and Leia are siblings. — GW

An Officer and a Gentleman

A young Richard Gere smolders as rebellious Zack Mayo, a naval aviation officer candidate, in An Officer and a Gentleman. Mayo and his naval buddy Sid Worley waste no time in bedding two local factory workers, Paula Pokrifki (Debra Winger) and Lynette Pomeroy. The ladies are looking for a way to escape their hometown, and can think of no better way than becoming “aviator wives.” Drama ensues for both couples; while only sadness is in store for Sid and Lynette, romance is in store for Mayo and Paula.
Best scene to make a move: There’s no better time than the final scene, as Mayo carries Paula out of the factory where she works, toward their new life together. It’s foolproof: men in uniform put everyone in the mood. — KG

The Descent

How many groups of spelunking hot women do you know? Probably none! To remedy this, watch The Descent, one of the best horror movies in recent memory. Six women get trapped in an uncharted cave populated by “crawlers,” sallow human-like creatures that kill. It’ll make you scream — a good tension-reliever. You’ll want to squeeze someone’s hand or arm during the scariest parts, which could happen spontaneously, or at least look like it did.
Best scene to make a move: After the cave collapses and the women realize they’re stuck. It’s early enough that you won’t miss any of the crawler-action and the movie is terrifying enough that you won’t want to let go once you’re holding on to someone, so you’ll get to stay entwined for at least a few more minutes. — S. Hepola

Me and You and Everyone We Know

You have to love a movie that reminds you there’s someone out there for everyone. When cab driver and video artist Christine (Miranda July), first meets shoe salesman Richard (John Hawkes), you’ll be so grateful to be with your date (and not either of them), you won’t be able to resist making a move. That’s the perfect time, too, because you don’t want to miss some of the later, funnier scenes involving Richard’s two sons, two neighborhood girls and some very unusual cybersex. — KG

Manhattan

Woody Allen’s romantic masterwork (no, it wasn’t Annie Hall) is more about falling for a city than it is about real-life relationships. The Gershwin score, those long, loving shots of skyscrapers and bridges — it’s a ridiculously soft-focus version of a place where homeless men regularly shit themselves on the subway. But Allen shoots Manhattan in the same way we fall in love: by focusing on the beautiful, and cropping all the trash and ugliness out of the frame.
Best scene to make a move: Woody Allen and Diane Keaton’s flirtatious, rainy-day visit to the planetarium. — S. Hepola

Chungking Express

We’ve got to give Quentin Tarantino a little credit for bringing Wong Kar-Wai’s third film to the States. And when Tarantino remarks, in his deeply ’90s filmed intro to the DVD, that he cried the first time he saw it from the sheer filmic ebullience of the thing, we can’t help but agree. Though its parallel stories of heartsick cops are both bittersweet, the picture is filled with a joyful vitality that will put you and your date in the good moods necessary for effective mating.
Best scene to make a move: When Faye Wong redecorates the apartment. — PS

Almost Famous

This is easily one of the warmest films ever made, and it somehow manages that without a cloying minute. It’s hilarious (”And you can tell Rolling Stone magazine that my last words were… I’m on drugs!”), but also poignant to an almost painful degree, a wounded and heartfelt reminiscence and a tribute to romantic youth. Look at it as a litmus test. If you get choked up (as we do, every damn time) when William runs through the airport waving at Penny’s plane, and your date doesn’t — or if it’s the other way around, heaven forfend — it’s simply not meant to be. Otherwise, you’re all but guaranteed some post-movie snogging.
Best scene to make a move: When everyone sings “Tiny Dancer.” — PS

Donnie Darko

Almost certainly the greatest time-travelling high school romance of all time (unless you prefer #16). Do not allow Donnie Darko ’s current hipness, or Jake Gyllenhaal’s overexposure, to blind you to the sexiness of this film. Detractors call Donnie the patron saint of sensitive emo types, but that does no justice to his sharp intelligence or capacity for destruction — both key elements of sexiness. Avoid the director’s cut, which unforgivably swaps “The Killing Moon” out of the opening credits.

Scene to make your move: When “Love Will Tear Us Apart” comes on at the Halloween party. — PS

Before Sunrise

It’s like Slacker for hopeless romantics, starring two of the ’90s premium hotties having the best date ever, over the course of ninety minutes in Vienna. Ethan Hawke and Julie Delpy’s funny, smart, stream-of-consciousness conversation after they meet on a train makes us pine for that serendipitous moment — a date that springs not from personal ads or meat-market trolling or friends who mistakenly think you’d be perfect together, but from being in the right place at the right time. Linklater built a career on showing people having natural, meandering conversations, where awkward silences and pretentious posturing are banished; maybe his sensibilities will rub off on your date.
Best scene to make a move: When they fall asleep side by side in the park. — WD

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